Going Back in Time

“In wisdom gathered over time I have found that every experience is a form of exploration.”
― Ansel Adams

In February, I had the honor of delivering a presentation on creativity to members of the Carolinas’ Nature Photographers Association at the 2026 Annual Convention.  In part of this presentation, I emphasize the importance of being a beginner at something at all times.

Going back to school to pursue a degree in Fine Arts has allowed me to become a beginner at so many amazing things:  painting, drawing, ceramics, sculpture… It has truly been incredible.

This semester, I was absolutely delighted to have the opportunity to work in the darkroom for the first time in my life.  Earlier in life, when using a film camera, I simply sent the rolls of film out for processing. When I became serious about learning photography in 2008, I learned digital photography.  All my image processing took place in the digital darkroom.

I have read many books, including those by Ansel Adams, that gave me a brief look into the darkroom, but before this semester, I had never experienced it firsthand.  I was initially concerned that I would be claustrophobic in the darkroom.  Luckily, that fear disappeared the minute I walked in the door the first time.  There was no space for claustrophobia, because magic happens in the darkroom.

Our first project in the darkroom was to make photograms.  We brought objects from home to use in creating these photograms.  This is a triptych I made representing family.

Below is the first photograph I have ever created in the darkroom.  Not only does the process takes a step back in time, but the subject does, as well.

After signing the contract for my first teaching position in the late 1980’s, I was given directions to the school where I would teach.  I was told to turn left when I saw the tree with the men meeting up underneath.  For the two years I taught on Edisto Island and for decades following, there were always men spending time underneath this beautiful tree.  I am thrilled to have this photograph.  I know that one day when I take this drive, the tree or the building will no longer be there.  It will make me very sad.  I can revisit the scene and remember the men each time I look at this photograph.

I am not yet sure where my new darkroom experience will lead.  However, I do know that I will have a much greater appreciation from now on for all of the photographs that were created in this manner.  I will reread Ansel Adams’ Examples:  The Making of 40 Photographs.  Each time I reread this book, I take away something new.  I will appreciate even more the steps Ansel took to create his work.

Each day, I will continue to be a beginner at something so that I can continue to grow.